Showing posts with label Titus Andronicus. Show all posts
Showing posts with label Titus Andronicus. Show all posts

Friday, 31 May 2013

Seen It>> Fucked Up & Titus Andronicus at Electric Ballroom, May 30 2013

Three of North American punk’s most exciting young bands teamed up for a UK wide tour, spanning Bristol, Leeds, Glasgow, Manchester and finally London, in between dates at both Primavera Sounds.

First up was Toronto’s METZ, who garnered comparisons to the likes of Melvins and Drive Like Jehu with the release of their debut self-titled album last year. The power trio threatened to destroy the eardrums of everyone present with their relentless loud-fuzz anthems such as “Wasted”, “Headache” and “Wet Blanket”, making a similar racket to their forbearers like Sonic Youth and Big Black.

New Jersey’s beer brawling Shakespearean punks Titus Andronicus followed, who are a combination of The Pogues, The Replacements and with a dash of Springsteen for afters. Opener “Fear and Loathing in Mahwah, NJ” had everyone awaiting to chant “FUCK YOU!”, before “A More Perfect Union” had everyone launching into a moshing frenzy. The sweaty atmosphere inside saw frontman Patrick Stickles remove his top to unveil a Lil Wayne t-shirt he’d purchased from Camden market. “Titus Andronicus vs. The Absurd Universe (3RD Round KO)”, from last year’s third album, Local Business, took on a hardcore flavour, reminiscent of early Replacements, whilst the self-titled loser anthem “Titus Andronicus”, saw Stickles go into the crowd, with everyone in unison chanting “Your life is over”, like it’s a badge of honour. The 14-minute epic “The Battle of Hampton Roads”, earned a brief rest bite, before the climatic and chaotic ending. The quintet ended on Neil Young’s classic “Rockin’ in the Free World”, which was dedicated to the Canadian friendly line-up, and saw members of Metz and Fucked Up join in.

Third and finally, Toronto’s hardcore punks Fucked Up closed the show. If you were expecting the audience to be knackered by that point, then opener “Let Her Rest” paid rest to those fears, as a giant pit opened up, with frontman Pink Eyes joining them, before “Queens of Hearts” had everyone singing along. The growling Pink Eyes (or Damian Abraham to his mother) gave a shout-out to Camden’s finest punk record store All Ages Records, before dedicating “I Hate Summer” to anyone who’s ever suffered from tormentors about weight issues or else. They closed with “Police” and “The Other Shoe”, the latter leading a chorus of “dying on the inside” from the crowd. They returned from the encore with “Two Snakes”, which Pink Eyes dedicated to the audience member who shouted out “I hate weed”.


A carnage and chaotic triple bill that delivered on its promise, it will be hard-pressed to find a better line up for a gig this year. 

Thursday, 2 May 2013

Incoming>>Titus Andronicus - "The Dog"



New Jersey punks Titus Andronicus, have given us a slice of summer thanks to their Record Store Day split, "I've Got A Date Tonight/The Dog". The latter is a two minute punk jam, with vocals provided by drummer Eric Harm. It is more lo-fi than their recent third album Local Business, with an 80s punk sound similar to the likes of Cock Sparrer and The Replacements.

The five-piece will be hitting the UK at the end of the month, alongside Fucked Up and Metz, so make sure to catch them. Dates are:

Sun 26 May 2013, Bristol, The Fleece
Mon 27 May 2013,  Leeds, Brudenell Social Club
Tue 28 May 2013, Glasgow, SWG3
Wed 29 May 2013, Manchester, Soundcontrol
Thu 30 May 2013, London, Electric Ballroom

Wednesday, 29 February 2012

Incoming>>Titus Andronicus - Upon Viewing Oregon's Landscape with the Flood of Detritus

Patrick Stickles from New Jersey band, Titus Andronicus, debuted a new song on a Jersey City radio station last night.

Going by the name, "Upon Viewing Oregon's Landscape With The Flood of Detritus", it is a first glimpse into new material prior to the release of the band's third album, due around November.

The rockabilly number continues from where they left off on last album, The Monitor, a drunken gibberish of words, mixed with two repetitive fist-pump chants, "built to last" and "thrown away", and a melodic lo-fi guitar sound, that sounds like it was recorded back in an old-timey saloon.

You can check it out here at 2:37:00 http://www.wfmu.org/flashplayer.php?version=2&show=44104&archive=76138.

Wednesday, 22 December 2010

Seen It>> Titus Andronicus at Scala 25.11.2010

Just across from King's Cross train station, lies the Scala venue. It was on a cold Thanksgiving Day's night that a band, whose most recent album was about the concept in the American Civil War, should play a fitting set. Titus Andronicus brought their beer-fuelled drunken epic anthems to London and they didn't dissapoint their reputation for a mad show.

The Scala seems a perfect venue for the New Jersey boys (and girl), as it is small and intimate, with no barrier and is perfect for the evident moshing that will take place. Singer Patrick Stickles' guitar is drapped in the stars and stripes of his home country, whilst there are people in the crowd attempting to copy his wonderful beard, however they don't possess the same cool effect that he pulls off. Opener "A More Perfect Union" is a rip roaring start to proceedings, Stickles' brilliant solos sending the crowd into a moshing frenzy, with many already falling onto the stage beside them. The vocal crowd are already screaming back 'rally around the flag' with the same passion that the song demands.

Things calm down afterwards with "Richard II" and "No Future Part Three", however they still maintained the energy and rawcusness of fist pumping and chanting in union, 'You will always be a loser!' at the end of the latter. During "Titus Andronicus", Stickles ventured into the crowd for the first time, with the crowd climbing on him to chant "Your life is over!"

Towards the end of the set, Dan Treacy, from support band Television Personalities, invited himself and stage and began to play bizarre songs whilst evidently high, however the band went along with it and it looked as though it had been choreographed to happen. Treacy didn't leave without making his mark, swearing at members of the crowd and asking someone to "speak properly English."

The band ended their energetic, sweaty, beer-fuelled set on "Four Score And Seven," bringing to an end one of the best live gigs I've ever seen.