Showing posts with label punk. Show all posts
Showing posts with label punk. Show all posts

Friday, 31 May 2013

Seen It>> Fucked Up & Titus Andronicus at Electric Ballroom, May 30 2013

Three of North American punk’s most exciting young bands teamed up for a UK wide tour, spanning Bristol, Leeds, Glasgow, Manchester and finally London, in between dates at both Primavera Sounds.

First up was Toronto’s METZ, who garnered comparisons to the likes of Melvins and Drive Like Jehu with the release of their debut self-titled album last year. The power trio threatened to destroy the eardrums of everyone present with their relentless loud-fuzz anthems such as “Wasted”, “Headache” and “Wet Blanket”, making a similar racket to their forbearers like Sonic Youth and Big Black.

New Jersey’s beer brawling Shakespearean punks Titus Andronicus followed, who are a combination of The Pogues, The Replacements and with a dash of Springsteen for afters. Opener “Fear and Loathing in Mahwah, NJ” had everyone awaiting to chant “FUCK YOU!”, before “A More Perfect Union” had everyone launching into a moshing frenzy. The sweaty atmosphere inside saw frontman Patrick Stickles remove his top to unveil a Lil Wayne t-shirt he’d purchased from Camden market. “Titus Andronicus vs. The Absurd Universe (3RD Round KO)”, from last year’s third album, Local Business, took on a hardcore flavour, reminiscent of early Replacements, whilst the self-titled loser anthem “Titus Andronicus”, saw Stickles go into the crowd, with everyone in unison chanting “Your life is over”, like it’s a badge of honour. The 14-minute epic “The Battle of Hampton Roads”, earned a brief rest bite, before the climatic and chaotic ending. The quintet ended on Neil Young’s classic “Rockin’ in the Free World”, which was dedicated to the Canadian friendly line-up, and saw members of Metz and Fucked Up join in.

Third and finally, Toronto’s hardcore punks Fucked Up closed the show. If you were expecting the audience to be knackered by that point, then opener “Let Her Rest” paid rest to those fears, as a giant pit opened up, with frontman Pink Eyes joining them, before “Queens of Hearts” had everyone singing along. The growling Pink Eyes (or Damian Abraham to his mother) gave a shout-out to Camden’s finest punk record store All Ages Records, before dedicating “I Hate Summer” to anyone who’s ever suffered from tormentors about weight issues or else. They closed with “Police” and “The Other Shoe”, the latter leading a chorus of “dying on the inside” from the crowd. They returned from the encore with “Two Snakes”, which Pink Eyes dedicated to the audience member who shouted out “I hate weed”.


A carnage and chaotic triple bill that delivered on its promise, it will be hard-pressed to find a better line up for a gig this year. 

Monday, 17 December 2012

Seen It>>Rancid at The Forum, 15 December 2012

Rancid were in town to celebrate their 20th anniversary tour, with a co-headline triple-header at The Forum alongside East Enders, Cocksparrer, who in turn were celebrating their 40 years of punk anthems. On this occasion, Rancid were the “warm up”, with the bands switching roles on different nights, but judging by the passion from the crowd, Rancid looked like the main band that many inside had arrived for.

Formed in 1991, from the ashes of ska punks Operation Ivy, the quartet from Oakland, California were one of the most important punk bands of the 90s revival. But unlike Green Day, The Offspring and Bad Religion, Rancid remained underground and independent from major labels, something which has seen them retain their energetic and loyal fan base throughout their career, but not the same wider attention as those bands.

Opener “Radio” was a rapid introduction into what carnage was expected, whilst “Roots Radicals” gave Lars Fredericksen the first fist pumping sing-along of the night. Tim Armstrong’s new Charles Manson-style beard seemed to be the talking point of the tour, but their rapid stroll through their impressive back catalogue provided the main attraction on stage.

“Journey to the End of East Bay” and “Maxwell Murder”s groovy bass lines, showed why Matt Freeman is one of the greatest punk bassists around, whilst “Olympia WA”, “Fall Back Down” and “The 11th Hour” were the comradeship that are synonymous with punk shows.

The band also previewed a new look into their next studio album, due next year, with “Fuck You”, which already looks to be a crowd favourite. Rancid returned to a rapturous welcome for the encore, with ska-influenced “Time Bomb” and “Ruby Soho” providing a chilled finish, compared to the frenetic start.

With Rancid on top form, it would be hard for even the legendary Cocksparrer to follow.