Reviews>>Jack White - Blunderbuss (Third Man/XL)

In a span of just fifteen years, Jack White has had the career to fill a lifetime. From festival headlining, Grammy Award winning, multi-platinum sellers The White Stripes, to successful super group The Raconteurs, to his recent endeavours on drums with The Dead Weather, White was inevitably due to record a solo album on his next career step. That debut solo album, Blunderbuss, sees him crossover all aspects of his career so far, while still maintaining something fresh at the table.

This ruthless neo noir takes a sinister ride through tales of deception, femme fatales, guilt and lust. The title track sounds like White Blood Cells-era White, while the song’s piano and violin melody add in a new dimension to his recognisable bluesy rock grooves and progressive riffs. “Weep Themselves to Sleep,” pays homage musically to previous efforts in The Raconteurs. “I’m Shakin’” is a doo wop, rockabilly cover of Little Willie John, whilst the vaudevillian “Hip (Eponymous) Poor Boy,” is a bit of a leftfield surprise, driven by jangly and happy piano melodies, which sounds like the final piece of the “My Doorbell“ and “The Denial Twist” trilogy. Lead off single, “Love Interruption”, is a duet with Ruby Amanfu about the violent things they both desire from love. Album closer, “Take Me With You When You Go”, who’s additive fuzz riffs will have air guitars at the ready, is probably the record’s standout track, as White ponders whether displaying his own inner desires may be harming someone else.

Certainly a trip down White’s career memory lane, but still an adventurous and unconventional release from the man who’s already done it all, so early in his career. The White Stripes may be sadly long gone, but with an impressive debut as this, that may well be a good thing.

8/10

Features>>Pavement - Slanted & Enchanted: 20 Years Later

Friday marks the twentieth anniversary of Pavement’s debut album, Slanted & Enchanted. Considered one of the finest indie albums of all time, it’s not hard to see its influence in modern indie bands’ sound; everyone from Modest Mouse to Wavves, can claim an influence from the band’s lo-fi fuzz recordings. Their inspirational debut helped to shape 90s alternative America and the lo-fi slacker generation, paving the way for the likes of Beck, Weezer, Guided by Voices and Built to Spill later on in the decade. Even British bands such as Blur and Radiohead were indebted to Pavement in their early careers.

Recorded by a bunch of sarcastic stoners; security guard and vocalist/guitarist Stephen Malkmus (known under the pseudonym S.M) and guitarist Spiral Stairs (Scott Kannberg), with help from hippy drummer Gary Young, who owned the studio they recorded in. It was part recorded in Young’s studio in Stockton, California and part in Brooklyn, New York. It was a self-produced masterpiece. Fifteen noisy, yet melodic songs, which sounded sloppy and unfinished, yet still sounding genius and like a work of art. The catchy fuzz riffs and obtuse lyrics, which may sound abrasive at first, make for repeated listens and get suck in your head, even if you don’t have a clue what Malkmus is saying. Pavement give off that “Ramones” effect of wondering if a band couldn’t try any less or be anymore sloppy, yet still make kickass anthems.

Officially released on April 20, 1992 on Matador Records, it had been surfacing around the underground on cassette tapes a year previously. Though Pavement never received the mass attention that many of their 90s alt rock contemporaries did, they still received mass critical praise. Slanted & Enchanted received perfect tens, that Nadia Comaneci would be proud of, from the NME, Spin and Pitchfork. Rolling Stone listed it at 134th on their 500 Greatest Albums of all Time list. Blender called it the “greatest indie album of all time”. However, not everyone was a big fan. The Fall’s Mark E. Smith said Pavement were a “rip off” of his band, and they “didn’t have an original idea in their heads.” Ouch. The other members of The Fall were far more complimentary, however.

Pavement would later become a full band, hiring bassist Mark Ibold, percussionist Bob Nastanovich and replacing Young with Steve West on drums, and go onto record other masterpieces, such as Crooked Rain, Crooked Rain and Wowee Zowee. Unlike the vast majority of their colleagues, Pavement never signed to a major label and stayed independent throughout their career.

Considering Pavement were never more than a cult underground band, it’s amazing, how 20 years later, they now sound like the radio regulars they never were. It’s a testament to their sound and their influence. Slanted & Enchanted was one of the earliest bursts of creativity from within the American 90s underground, yet as a tribute to its standing, is still sounding as fresh and original 20 years later.

Incoming>>Yuck - Chew

London-based 90s revivalists Yuck, return with a new song entitled “Chew”. Sounding as ever, as if it were produced by Alan Moulder, who has worked with the likes of My Bloody Valentine, Smashing Pumpkins,Nine Inch Nails and the Jesus and Mary Chain, Yuck continue to pay homage to their heroes in a big way.

The guitar sounds, particularly the opening riff, are certainly reminiscent of previous Moulder-work, sounding somewhat similar to Smashing Pumpkins’ “Plume,” whilst the floaty-shoegaze atmosphere is complementary to the likes of MBV and Ride.

Incoming>>Silversun Pickups - Bloody Mary (Nerve Endings)

Los Angeles' Alternative rockers, Silversun Pickups, return with "Bloody Mary", the first song to be released from their third album, Neck of the Woods. It continues their usual 90s-style floaty, dream pop sounds, but also sees the inclusion of synths and reverb.

Neck of the Woods will be released May, 8 on Dangerbird Records.

Incoming>>Titus Andronicus - Upon Viewing Oregon's Landscape with the Flood of Detritus

Patrick Stickles from New Jersey band, Titus Andronicus, debuted a new song on a Jersey City radio station last night.

Going by the name, "Upon Viewing Oregon's Landscape With The Flood of Detritus", it is a first glimpse into new material prior to the release of the band's third album, due around November.

The rockabilly number continues from where they left off on last album, The Monitor, a drunken gibberish of words, mixed with two repetitive fist-pump chants, "built to last" and "thrown away", and a melodic lo-fi guitar sound, that sounds like it was recorded back in an old-timey saloon.

You can check it out here at 2:37:00 http://www.wfmu.org/flashplayer.php?version=2&show=44104&archive=76138.

Top 5>>Underrated Albums

Pavement//Slanted & Enchanted (1992)
Though this wasn’t considered underrated due to its lavished critical praise, it received a perfect 10 that Nadia Comaneci would be proud of in the NME, it is the thought of Pavement not receiving the coverage they thoroughly deserve that makes it so underrated. Their inspirational debut helped shape 90s alternative America and the lo-fi slacker generation. Stephen Malkmus’ obscure, hilarious and sarcastic lyrics helped turn Pavement into an influence on their contemporaries, including Weezer, Beck and Guided By Voices, and they were the sound of generation-xers who were wondering what to do with their lives. Despite this, their music still refuses to merge with the mainstream masses despite such phenomenal albums, including Slanted & Enchanted and follow up Crooked Rain, Crooked Rain. They deserve the same mass recognition that the critics have realised since the band’s conception and Slanted & Enchanted should be a household name to all music fans.

The Shins//Wincing the Night Away (2007)
Arguably The Shins’ finest hour, this bittersweet indie pop release from Albuquerque’s finest was not given the attention it deserved. Though, with “Turn On Me”, they briefly reached mainstream approval, it wasn’t enough to launch them into the big leagues. James Mercer’s cryptic lyrics are sometimes hard to understand, but sounding so good, as “Australia” and “Split Needles” do, it doesn’t really matter to the listener. Despite consistently releasing quality albums, The Shins continue to hide in the background, while some of their less illustrious colleagues reap the mainstream rewards.

Titus Andronicus//The Monitor (2010)
New Jersey’s Titus Andronicus, named after the William Shakespeare play, produced one of 2010’s underrated classics. This epic and ambitious concept album, is set amongst the American Civil War as a metaphor for the trials and tribulations of modern day New Jersey. Borrowing heavily from Bruce Springsteen’s and Billy Bragg’s sound, but still sounding original and iconoclastic, it is a drunken and rebellious rollercoaster ride through a turbulent era. Including recreated speeches from Abraham Lincoln, Jefferson Davis, William Lloyd Garrison and Walt Whitman, it sounded completely different to any other of 2010’s releases.

The Replacements//Tim (1985)
You may not know it, but The Replacement’s Tim was one of the most important releases in American alternative rock. Though they never had any commercial success, they helped influence a new generation of musicians. They were the first American underground rock band to sign to a major label in the eighties, before R.E.M and Husker Du, with Tim being the result. “Hold My Life”, “Bastards of Young” and “Left of the Dial” are voice-of-a-generation anthems, the sounds of suburban alienation and despair, whilst the balladry of “Swingin’ Party”, with its self-deprecating twist of hopelessness and insecurity, was an early footprint for the grunge sound. The success of Tim inspired many of their contemporaries to follow their lead, with the album influencing countless bands and also acted as the template for the alternative rock explosion in the 1990s.

Sunny Day Real Estate//How It Feels to be Something On (1998)
In the nineties, while most of Seattle was gripped by flannel shirts and the grunge sounds of Nirvana, Pearl Jam, Alice in Chains and Soundgarden, Sunny Day Real Estate were busy putting emo rock onto the map. Third album How It Feels to be Something On, recorded after their reunion, was their defining moment. Whilst the band had split up briefly, drummer William Goldsmith and bassist Nate Mendel were acquired by Dave Grohl for his new project Foo Fighters, but Goldsmith returned to appear on this album, though Mendel did not and was replaced by Jeff Palmer. The spiritual feel of the record is both discouraging and uplifting, while the album’s sound, a mixture between art rock and progressive rock, is almost trancelike. It is a collection of songs that flow coherently and is hard to find fault amongst the album. It was also one of the best albums of a highly nostalgic and creative decade and certainly an important and influential album for the ensuing decade.

Features//A-Z of 2012

A is for Azealia Banks//The Harlem rapper topped the NME’s “cool list” for 2011 and is on the BBC’s “Sound of 2012” poll, she’s still unsigned but it won’t be long till she’s signed up. A real buzz artist for 2012.
B is for Bestival//It keeps on getting better and better. In 2011 they had The Cure and Bjork, so if they can improve on that, then it will be incredible.
C is for CDs//A scary internet rumour suggested that CDs could soon be discontinued by major labels. It has been rubbished in reports, but unless they start selling, they could join cassette tapes in being lost forever.
D is for Dry the River//As the “new folk” bandwagon continues to grow, Dry the River are the latest band to sign to a major label. After hyped sets at The Great Escape and Reading and Leeds, they will no doubt be regulars on the festival circuit this coming summer.
E is for Emeli Sande//The Scottish soul singer is tipped to have a big year in 2012. She has already written for the likes of Tinie Tempah, Cheryl Cole, Leona Lewis and Susan Boyle and has been voted as the “Critics’ Choice” for the 2012 Brit Awards.
F is for Friends//Not an ode to the TV sitcom, these New Yorkers have been described as the “new Warpaint.” A more poppier affair than Warpaint’s shoegaze style, they have used R’NB influences to harness their sound.
G is for Greg Dulli//The Twilight Singers man returns to his day job in 2012, as The Afghan Whigs play their first shows in 13 years at ATP concerts in London and New Jersey. Their excellent soul-influenced rock produced classic albums such as Gentlemen and Black Love in the nineties, so make sure you don’t miss this.
H is for Howler//Poster boys for the NME in 2012 no doubt, the Minneapolis quintet have been compared to a hybrid of The Strokes, The Drums and The Vaccines. Their debut album America Give Up is released this month.
I is for Isle of Wight//With no Glasto in 2012, IOW are clearly keen to fill in for them, taking their weekend spot and also by booking Bruce Springsteen, Tom Petty and Pearl Jam in as headliners, they have surely already produced the best UK headliners of any festival this year.
J is for Justice//They make their big return in 2012 and have already been booked for some European festivals, so expect to see them on the UK festival circuit.
K is for Killers//The Las Vegas band also return with a new album in tow in 2012. Except more synth anthems and indie dancefloor fillers.
L is for Lana Del Rey//The biggest star of the last few months of 2011, Elizabeth Grant will be even bigger in 2012. After the success of “Video Games”, debut album Born to Die, released at the end of January, will be one of the biggest and hotly-anticipated releases of the year. So unless you unplug your internet for a whole year, it will be hard to avoid her. That may still not be enough though.
M is for Maccabees//They look set to release the so-called ‘album of their careers’ on 9 January. They have taken their inspiration from the likes of The Stone Roses, Kate Bush and David Bowie on this album, and it sounds like a big change from the jangly indie pop of previous work.
N is for No Doubt//Set to return after a 10 year absence in 2012, the Orange County band will release a as yet untitled new album and are heavily rumoured to be at Coachella festival.
O is for Oceania//Billy Corgan has been calling Oceania, Smashing Pumpkins’ “best release for 16 years.” Following the positive reactions to new songs on their recent autumn tour, it’s fair to say that this could indeed be the real deal. There is definitely a big hole for a huge rock band to release a quality album at the moment, so hopefully the Chicago band will be the ones to do it.
P is for Phoenix Festival//Living up to its name and rising from the ashes, the Phoenix Festival will be returning in 2012 after it had disbanded in 1998. There is certainly a hole in the UK for a major alternative music festival, so fingers crossed it can deliver.
Q is for Queen//If you will believe rumours circulating around the internet, then Brian May and Roger Taylor are set to tour with Queen this year. American Idol singer Adam Lambert is rumoured to be the singer for this tour.
R is for Reunions//Has their been a better year for reunions than 2012? Stone Roses and Black Sabbath top the list of excited music fans’ list.
S is for Spector//Bespectacled indie five piece have been compared to The Killers and The Strokes and are on the BBC’s “sound of 2012” poll. Expect them at loads of festivals this year.
T is for Tribes//The Camden quartet release their debut album Baby in January. Hotly tipped at the start of 2011, this year should see them on an even higher pedestal.
U is for Universal//After buying EMI, the label will be even bigger in 2012, so except a dominance from them and their artists in coming years.
V is for Van Halen//The Hard Rock legends are returning with a new album and a new world tour. Rumoured for Sonisphere festival too.
W is for Wolf//Tyler, the creator was one of the biggest names in music and most out-spoken people in 2011 and his 2012 album, Wolf, should see him continue to make headlines for the right, and probably wrong, reasons again.
X is for XX//They seemed to have disappeared after their Mercury Award-winning self-titled debut in 2009, but the London band are back in 2012. Their second release will be highly anticipated and expected to follow on from their critically-acclaimed debut. No pressure then!
Y is for Y-Not//The Derbyshire festival continues to grow, being named “best grassroots festival” and “best festival toilets” in 2011. Of course if you’ve ever been to a festival, then you’d appreciate how important the latter award is.
Z is for ZZ Top//The veterans are back, with another album on the way in 2012, the first release in nine years. They are sure to also claim their “best beards in music” title back too.